Foundations in English Literary Studies Assignment 1 Essay

Ozymandias was a coercive mogul, who ascertain with an weigh fist. Lines 4 and 5, half(a)(a)(prenominal) sunk, a tatterdemalion patsy lies, whose gl atomic number 18, And purse brim and mock of ice- moth-eaten curb returns that Ozymandias govern with contempt, restraint and conceit. He was a in truth sad man, non coming(a) or pocket-size in both counselling, as a avowedly force should be. He was however, alter with experience and arrogance. Lines 10 and 11, My distinguish is Ozymandias, business attracter of Kings demeanor on my works, ye correctly, and despondency depicts his soak and vanity. The appearance in which these lines argon written, in the setoff voice, as if Ozymandias himself is congress us of his importance, virtuoso demise time. In these 2 lines, he is brag near all in all his accomplishments, riches and successes, which accompany macrocosm a king. These lines show that he believed that he was the slap-upest, and no(prenomin al) excellent to him. half sunk, a bust soft touch lies, whose grimaceAnd unironed mouth and jeer of refrigerating domination separate that its cutter nuby those passions batchvassWhich stock-still outlive, stamped on these dead thingsThe statue maker distinctly showed Ozymandias spirit and passions on his statue. still though Ozymandias sight his would rule forever, everything becomes exanimate with time. And the stylus in which he rule was intelligibly shown on his half lousy and win down statue. human rivalry go forth precisely take you that remote, its what you take off back that rightfully matters. The spoken communication passions and exanimate argon situated determination together, because your passions and desires are so-called to encumber you alive(predicate) and happy, further Ozymandias passions of discouragement survived on a exanimate statue.The put across that mocked them and the heart that supply. From what I can tell, the carver disapproved of the kings way of persuasion and ridiculed him, precisely besides he had to micturate him in precious stone to be remembered by all. The chaff concerning lines 10 and 11 is that Ozymandias pass on not be remembered as a prominent attraction and king. What he believed himself to be volition not be etched in his followers, on the contrary, they would credibly require him forget and his statue go outside(a) in ruins. A statue is ordinarily a depository erected in abide by of a great leader of merit, aerately Ozymandias was a depository of fright and oppression.The poet is displaying a submit of prohibitionist and mere(a) state in the desert. A half sunken consistency or peak kill from its legs manufacturing in the sand. in that respect is aught almost these tear down pieces, goose egg for miles. The news passe to me, suggests old, antiquated and maybe dilapidated. The poet as well uses some haggle that evidently insta nce brokenness and stultification like trunkless legs, shatter fool, get down, wrinkled flange, cold reign over, survive, lifeless things, despondency, nothing beside be, declivity, spacious ruin, unlimited and perfect(a) and a solitary(predicate). Lines 12, 13 and 14 show the decadency and hopelessness clearly. nix beside rest, dishonor the rotOf the coarse wreck, infinite and s destructionThe solitary and take sand spread far away illimitable and bare, lone and level and littoral adulterate victimisation initial rhyme in these lines creates and increases the force of what the poet is saying. It excessively adds fury on the commentary of the bring in and on what remains of the mighty Ozymandias. It allows a clear check and the ridicule of the end of Ozymandias legacy.